Skip to main content

Not Now Norman - 'Shut Your Mouth' Single Review

 

Not Now Norman - 'Shut Your Mouth' Single Review

Photo: Paul Murray Media

Not Now Norman are a hard rock band from Berwick-Upon-Tweed. They released their latest single 'Shut Your Mouth' on 23rd April 2021, their direct and in-your-face sound deals this time with the raw emotions felt after frontwoman Taylor-Grace Mitchell left an abusive relationship. 

Taylor reveals "the track is about domestic abuse, the words are everything I wanted to say when my abuser was berating me. The build up is meant to get people to start shouting 'Shut Your Mouth' with the track when the final chorus hits. It's meant to reignite the fire that victims feel has died when they escape domestic abuse and boost confidence." 

This track has piercingly powerful guitars and strong commanding vocals, which make it a theatrical rock anthem. The build up will leave the listener feeling strong and powerful and I am in no doubt that seen live, the whole crowd will be behind Taylor-Grace, singing Shut Your Mouth in support.

Taylor-Grace has phenomenal vocals and comparisons will be made to The Pretty Reckless! With airplay on BBC Introducing in the North East, nominations for Best Alt Rock Act (Radio WIGWAM) and Band of the Year (Nova Radio) and as a confirmed act for Lindisfarne Festival 2021, the future is looking bright for Not Now Norman.







Comments

Popular posts from this blog

The Skinner Brothers - 'Iconic' EP Review

  The Skinner Brothers - 'Iconic' EP Review Tomorrow (Friday 7th May 2021) sees The Skinner Brothers drop their new EP 'Iconic'!  As their Spotify bio says, "The Skinner Brothers don't fuck about" and this 4-track EP backs up this claim! The EP explodes into action with two new tracks and two previously released singles - but with a twist. First up, the title track 'Iconic' starts with Zac Skinner's vocals and a guitar - then the beat comes in hard and we're rockin'! This is an amazing start, a track full of swag and attitude and will get the crowd chanting along "Iconic" in the build up to the final chorus. 'Iconic' is for winning the game with success against all odds "Get on it, step on it, subsonic, iconic." The second, and other brand new track is 'M.O.R.E', heavier than 'Iconic', it starts small and grows into an anthem oozing with self confidence. 'M.O.R.E' mentions getting up m

Greysha - 'Gold Glaze' Single Review

  19 year old, Shropshire based singer/songwriter Greysha released 'Gold Glaze' on 20th October.  A beautiful and reflective song about looking back at key events in your life. Told from the perspective of growing up it touches on lots of subjects many teenagers will recognise in themselves, not wanting to be in class, rebellious piercings, also however the more serious and poignant subjects of family and looking back at happier times.  As a subscriber to her mailing list from back when I bought the CD of her previous single 'Aspirin' , Greysha said of 'Gold Glaze' on release "I have poured my soul and a little part of who I am into this" The inflection and emotion she puts into the vocals literally make you feel this is true. A track with layered harmonies and cinematic strings, you smile and you even sing along to the "Gold Glaze" part but you also feel Greysha's pain at times..."Tell the darkness to stay back another day"  Gr

'Salem II' EP Review

  'Salem II' EP Review Grace Calver Salem are front-vamp Will Gould (also of the band Creeper) and guitarist Matthew Reynolds, they burst onto the scene with The Apathy Ball and the release of their debut single 'Destroy Me' last year. Today (Friday 7th May) they release their second EP titled 'Salem II'. One of the main things I love about them and this EP is the imagery created with the lyrics and music. The lexical fields of vampires, love and darkness that can be found through all of the songs, paired with the gothic, theatrical and punky sound.  There is an eerie start to this EP with the introduction of the first track; 'William, It Was Really Nothing' before the punchy guitars explode in. A nod to The Smiths' 'William, It Was Really Nothing', this song is a theatrical masterpiece - with dominating vocals supported by a stunning, gothic choir and powerful guitars. This contrasts beautifully with the gentle bell, piano and wind chime sou